Davis Editions Music Publishing

“Prelude and Transformation Music” from Parsifal (Act 1)

$100.00 AUD
Product Information

Composer: Wagner, Richard
Arranger:
Davis, Joshua
Ensemble:
Large Brass Ensemble
Duration: Approx. 10 mins
SKU: DE 0014

About

This piece serves as the opening of a larger suite, including the Prelude and Transformation Music from Act 1 of Wagner's final opera, Parsifal. The suite follows the main protagonist Parsifal, a ‘pure fool’ whose own identity is unknown to him begins a journey of ‘enlightened by compassion’; from ‘ignorance to transcendence’. This opera follows the spiritual development of the hero Parsifal; a ‘fool who becomes wise through compassion’.

In part 1 of this journey through Parsifal we explore the overture, introducing the main themes of the opera, then moving to the powerful Transformation Music "Verwandlungsmusik”.

Recorded in 2020, this arrangement features the West Australian Symphony Orchestra Brass Ensemble. A recording can be found at Ensemble Edition: Wagner & Böhme beginning at 22:10.

Instrumentation

Piccolo Trumpet in Bb
3 Trumpets in C
4 Horns in F
3 Trombones
Euphonium (B.C. & T.C.)
Tuba
Timpani

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Es Ist ein Ros Entsprungen - Brass Ensemble

$50.00 AUD
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Es Ist ein Ros Entsprungen (Lo, How a Rose E’er Blooming)

Lo, how a Rose e'er blooming
From tender stem hath sprung!
Of Jesse's lineage coming
As men of old have sung.
It came, a flower bright,
Amid the cold of winter
When half-gone was the night.

Isaiah 'twas foretold it,
The Rose I have in mind:
With Mary we behold it,
The virgin mother kind.
To show God's love aright
She bore to men a Savior
When half-gone was the night.

This Advent and Christmas hymn, possibly dating to the fifteenth century, draws textually from Isaiah's prophecies. The "rose" emerging from Jesse's stem symbolizes Christ's birth as the source of life through death. Michael Praetorius published this beloved Advent hymn in 1609, directing its "rose" symbolism toward Christ's incarnation rather than Mary. Theodore Baker later translated the first two verses into English around 1894. The arrangement balances peaceful melody with subtle melancholy, reflecting the duality of Christmas—rejoicing in Christ's incarnation whilst acknowledging His sacrifice and promised return. 

Melchior Vulpius, a contemporary of Praetorius composed a four-voice canon based upon the same melody. Though more concise in scope, the Vulpius canon functions effectively as a distinguished prelude to Praetorius's more expansive composition.

As recorded on the 2025 album release from the Berlin Philharmonic Brass Ensemble, "Frohe Weihnachten!" 

Instrumentation

Piccolo Trumpet in Bb
3 Trumpets in C
4 Horns in F
3 Trombones
Euphonium (B.C. & T.C.)
Tuba
Timpani