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Concerto Grosso in d minor, Op.3 Nr.5. HWV 316 (Brass Sextet)
Product Information
Composer: Handel, George Frideric
Arranger: Davis, Joshua
Ensemble: Brass Ensemble
Duration: Approx. 11 mins
SKU: DE 0008
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About
Concerto Grosso in d minor, Op.3 Nr.5 (HWV 316) by George Frideric Handel is one of his most loved works. Its 5 short movements demonstrate a variety of styles and give all players an opportunity to share in the melodic material. The movement structure is below.
- Grave
- Allegro
- Adagio
- Allegro ma non troppo
- Allegro
The first 2 movements were originally used by Handel in his Chandos Anthem Nr.2 “In The Lord I Put My Trust” (HWV 247). Edward Elgar also used these movements as the basis for his “Overture in D Minor”.
This arrangement was commissioned by the Berlin Philharmonic Brass Ensemble for a concert in Berlin in 2020. The recording is available on the Digital Concert Hall here.
A version for Brass Quintet (DE 0018) is also available.
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Es Ist ein Ros Entsprungen - Brass Ensemble
Es Ist ein Ros Entsprungen (Lo, How a Rose E’er Blooming)
Lo, how a Rose e'er blooming
From tender stem hath sprung!
Of Jesse's lineage coming
As men of old have sung.
It came, a flower bright,
Amid the cold of winter
When half-gone was the night.
Isaiah 'twas foretold it,
The Rose I have in mind:
With Mary we behold it,
The virgin mother kind.
To show God's love aright
She bore to men a Savior
When half-gone was the night.
This Advent and Christmas hymn, possibly dating to the fifteenth century, draws textually from Isaiah's prophecies. The "rose" emerging from Jesse's stem symbolizes Christ's birth as the source of life through death. Michael Praetorius published this beloved Advent hymn in 1609, directing its "rose" symbolism toward Christ's incarnation rather than Mary. Theodore Baker later translated the first two verses into English around 1894. The arrangement balances peaceful melody with subtle melancholy, reflecting the duality of Christmas—rejoicing in Christ's incarnation whilst acknowledging His sacrifice and promised return.
Melchior Vulpius, a contemporary of Praetorius composed a four-voice canon based upon the same melody. Though more concise in scope, the Vulpius canon functions effectively as a distinguished prelude to Praetorius's more expansive composition.
As recorded on the 2025 album release from the Berlin Philharmonic Brass Ensemble, "Frohe Weihnachten!"
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