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Rondo from Horn Concerto Nr. 4 (Brass Quintet)
Product Information
Composer: Mozart, Wolfgang Amadeus
Arranger: Davis, Joshua
Ensemble: Brass Quintet
Duration: Approx. 4 mins
SKU: DE 0002
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About
This arrangement of the Rondo from Mozart’s Concerto Nr. 4 for brass quintet is an expansion of a trio version (de 0003) written originally for David Evans; principal horn of the West Australian Symphony Orchestra (WASO). It was utilized as a horn feature as part of an education tour undertaken by WASO in 2015.
More recently it was recorded in its trio format by Sarah Willis (horn), Tamás Velenczei (trumpet) and Jesper Busk Sørensen (euphonium) of the Berlin Philharmonic. The recording can be found on YouTube.
The trio version is also available (DE 0003) from Davis Editions.
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Es Ist ein Ros Entsprungen - Brass Ensemble
Es Ist ein Ros Entsprungen (Lo, How a Rose E’er Blooming)
Lo, how a Rose e'er blooming
From tender stem hath sprung!
Of Jesse's lineage coming
As men of old have sung.
It came, a flower bright,
Amid the cold of winter
When half-gone was the night.
Isaiah 'twas foretold it,
The Rose I have in mind:
With Mary we behold it,
The virgin mother kind.
To show God's love aright
She bore to men a Savior
When half-gone was the night.
This Advent and Christmas hymn, possibly dating to the fifteenth century, draws textually from Isaiah's prophecies. The "rose" emerging from Jesse's stem symbolizes Christ's birth as the source of life through death. Michael Praetorius published this beloved Advent hymn in 1609, directing its "rose" symbolism toward Christ's incarnation rather than Mary. Theodore Baker later translated the first two verses into English around 1894. The arrangement balances peaceful melody with subtle melancholy, reflecting the duality of Christmas—rejoicing in Christ's incarnation whilst acknowledging His sacrifice and promised return.
Melchior Vulpius, a contemporary of Praetorius composed a four-voice canon based upon the same melody. Though more concise in scope, the Vulpius canon functions effectively as a distinguished prelude to Praetorius's more expansive composition.
As recorded on the 2025 album release from the Berlin Philharmonic Brass Ensemble, "Frohe Weihnachten!"
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