Davis Editions Music Publishing

“Sleepers, Wake!” from "Wachet Auf, ruft uns die Stimme" (BWV 140)

$45.00 AUD
Product Information

Composer: Bach, Johann Sebastian
Arranger:
Davis, Joshua
Ensemble:
Brass Ensemble
Duration: Approx. 3 1/2 mins
SKU: DE 0007

About

Wachet auf, ruft uns die Stimme (Awake, calls the voice to us), BWV 140, also known as "Sleepers, Wake!" is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig and was first performed it on 25 November 1731. It is based on the hymn “Wachet auf, ruft uns die Stimme” (1599) by Philipp Nicolai. 

This is an arrangement of the fourth movement of the cantata, written in the style of a chorale prelude which contains the famous lyrical passage featuring the flugel horns while the chorale melody usually sung by the tenors is featured in the trombones.  

This arrangement was created for the West Australian Symphony Orchestra Brass section during a covid lockdown in 2020. A distance recording was made to celebrate Easter that year for the WASO audience. The recording can be found on YouTube.

Instrumentation

Flugel Horn in B-flat 1/Piccolo Trumpet in B-flat or A
2 Flugel Horns in B-flat or Trumpets in B-flat
2 Horns in F
3 Trombones
Tuba

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Es Ist ein Ros Entsprungen - Brass Ensemble

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Es Ist ein Ros Entsprungen (Lo, How a Rose E’er Blooming)

Lo, how a Rose e'er blooming
From tender stem hath sprung!
Of Jesse's lineage coming
As men of old have sung.
It came, a flower bright,
Amid the cold of winter
When half-gone was the night.

Isaiah 'twas foretold it,
The Rose I have in mind:
With Mary we behold it,
The virgin mother kind.
To show God's love aright
She bore to men a Savior
When half-gone was the night.

This Advent and Christmas hymn, possibly dating to the fifteenth century, draws textually from Isaiah's prophecies. The "rose" emerging from Jesse's stem symbolizes Christ's birth as the source of life through death. Michael Praetorius published this beloved Advent hymn in 1609, directing its "rose" symbolism toward Christ's incarnation rather than Mary. Theodore Baker later translated the first two verses into English around 1894. The arrangement balances peaceful melody with subtle melancholy, reflecting the duality of Christmas—rejoicing in Christ's incarnation whilst acknowledging His sacrifice and promised return. 

Melchior Vulpius, a contemporary of Praetorius composed a four-voice canon based upon the same melody. Though more concise in scope, the Vulpius canon functions effectively as a distinguished prelude to Praetorius's more expansive composition.

As recorded on the 2025 album release from the Berlin Philharmonic Brass Ensemble, "Frohe Weihnachten!" 

Instrumentation

Flugel Horn in B-flat 1/Piccolo Trumpet in B-flat or A
2 Flugel Horns in B-flat or Trumpets in B-flat
2 Horns in F
3 Trombones
Tuba